Biography

David A. Wells teaches bas­soon at Cal­i­for­nia State Uni­ver­sity, Sacra­mento, Cal­i­for­nia State Uni­ver­sity, Stanis­laus, and San Joaquin Delta Col­lege. He earned the degree of Doc­tor of Musi­cal Arts from the Uni­ver­sity of Wisconsin-Madison, where he stud­ied with Marc Val­lon; his dis­ser­ta­tion is an expan­sive his­tory and discog­ra­phy of the bas­soon in jazz. He also holds degrees in bas­soon per­for­mance from Ari­zona State Uni­ver­sity and Florida State Uni­ver­sity, where he stud­ied with Jef­frey Lyman and Jef­frey Keesecker, respec­tively. Dr. Wells has taught at the Fes­ti­val de Música de Santa Cata­rina in Jaraguá do Sul, Brazil as well as at the Sequoia and Cal­Cap Cham­ber Music Work­shops in North­ern Cal­i­for­nia. He has also given clin­ics for high school stu­dents in Cal­i­for­nia, Wis­con­sin, and Michi­gan. Dr. Wells serves as the Direc­tor of Oper­a­tions for the Meg Quigley Vivaldi Com­pe­ti­tion and Bas­soon Sym­po­sium, a bien­nial event that fea­tures a com­pe­ti­tion for young women bas­soon­ists from North and South America.

Dr. Wells is Prin­ci­pal Bas­soon­ist of the Townsend Opera Play­ers and the Merced Sym­phony, was for­merly Sec­ond Bas­soon­ist of the Tal­la­has­see and Mobile Sym­phony Orches­tras, and per­forms often with other orches­tras through­out north­ern Cal­i­for­nia. He can also be heard play­ing bas­soon and clar­inet in the gypsy swing quin­tet Hot Club Faux Gitane. His past per­for­mance activ­i­ties have been widely var­ied, rang­ing from renais­sance and baroque music on period instru­ments (shawms, recorders, baroque bas­soons and oboes) to avant-garde cham­ber music on elec­tric bas­soon with Down­beat Means Attack. Dr. Wells has given world pre­mieres of works by Stephen Blum­berg, Bruce Rieprich, Thomas C. Lang, and Stephen Lewis, among others.

In addi­tion to his career as a bas­soon­ist, Wells also devotes time to music schol­ar­ship. He earned an M.A. in His­tor­i­cal Musi­col­ogy from UW-Madison while con­cur­rently purs­ing his D.M.A. He is a con­trib­u­tor to the forth­com­ing sec­ond edi­tion of The Grove Dic­tio­nary of Amer­i­can Music, writ­ing on a vari­ety of Amer­i­can per­form­ers and com­posers. Dr. Wells has pre­sented papers at the con­fer­ences of the Amer­i­can Musi­co­log­i­cal Soci­ety and the Inter­na­tional Dou­ble Reed Society.