The Paris Conservatoire has, through its annual concours (contest), added a great number of works to the bassoon’s solo repertoire. Recently, I found myself wondering how many of these works have been uploaded to IMSLP. I started my search by pulling one of the great bassoon reference works off my shelf: Kristine Fletcher’s book The Paris Conservatoire and the Contest Solos for Bassoon (Bloomington, IN: Indiana University Press, 1988). I was lucky enough to buy one of Dr. Fletcher’s last extra copies when I was in grad school, but it’s difficult to get your hands on today, outside of university libraries. I made myself a spreadsheet of all the contest pieces, and set about searching IMSLP and copying links for pieces that have been posted there. Partway through this task, I realized that what I was creating had the potential to be of great use to others. So, I’m posting it on my site today.
When I initially checked IMSLP, only a dozen of these works (not counting Mozart, Vivaldi, and Weber) were available. I’ve uploaded an additional 4 pieces by Eugène Jancourt over the last week or so, and have one by Henri Büsser in process. Some of the 19th-century works may never have been published, and many of them have titles that are probably too generic for positive identification (e.g. “Concerto”). But, there are still another 20+ published works out there that are potentially in the public domain (at least in the US), and could be added. I’ll keep working to track these down and make them available. If you have original printings of any of them, please get in touch!
The table of contest pieces needs a little extra space, so I’ve put it on its own page. You can get there either via the “Resources” tab above, or simply by clicking the image of the table below:
Graham
July 26th, 2017
This very morning I heard a Paris Conservatoire contest piece for bassoon, by Henri Dutilleux.
Apart from the composition being well suited to the character and capabilities of the bassoon, the music was both varied and interesting and, most important, enjoyable for the audience. I’d say, a ‘must’ for the repertoire of any pro bassoonist.
http://www.ryedalefestival.com/index.php/2017-list/41-coffee-concert-amy-harman-bassoon-alasdair-beatson-piano
David A. Wells
July 26th, 2017
Yes, Dutilleux’s Sarabande et Cortège is one of my favorites from this group of pieces. Oddly, Dutilleux himself didn’t like it — he considered it a juvenile work, and disavowed it.
James Irsay
October 29th, 2017
Hi David,
A late response to a July offering: Once again I must commend you for posting fascinating and valuable information to the online bassoon community. Your serious approach and your enthusiasm are laudable. I’m not a bassoonist but still find your page extremely interesting.
There are some great books detailing the history of the Paris Conservatoire, filled with the kind of information you would love. For example, “Histoire du Conservatoire…” by Lassabathie (1860), which covers the years 1795–1859. In it, we see that the composer of the first competition piece you mention, in 1824, Auguste Rethaler, took a 2ème prix in bassoon in 1823, as a student of Thomas Delcambre. Tons more info in this book, which you probably already know!
Keep up the great work!
James Irsay
October 29th, 2017
Forgot to mention: Pierre Constant’s book has incredibly detailed info regarding the competitions, up to 1900.
David A. Wells
October 30th, 2017
Hi James, thanks for reading, and also for your kind words! I have looked at Constant’s book (albeit a while ago), but I don’t think I’ve ever consulted Lassabathie. Will have to seek out that volume some time.