Posts Tagged ‘recitals’

Spring Recitals

This spring, I've finally gotten my act together enough to give nearly back-to-back recitals at CSU Stanislaus and Sacramento State. The two programs are very similar, and feature French music from the 1930s and '40s. I'll be playing two pieces for bassoon and piano, both concours pieces from the Paris Conservatoire: Gabriel Pierné's Prélude de Concert sur un thème de Purcell, Op.53 and Henri Dutilleux's Sarabande et Cortège. At CSU Stanislaus, these will be accompanied by Eugène Bozza's Sonatine for flute and bassoon. At Sac State, they'll be paired with two reed trios: Jacques Ibert's Cinq pièces en trio and Darius Milhaud's Pastorale.

I'm especially excited that the second half of each concert will feature my swing quintet, Hot Club Faux Gitane (with Billy Gay and Eric Johnson on guitars, Gary Williams-Guichard on mandolin, Jake Myers on bass, and me on bassoon). This group (seen in the posters below), is loosely modeled on Django Reinhardt's Quintette du Hot Club de France, which was active in Paris in the 1930s and '40s. I've been playing with the group for almost three years now. We play a mixture of the classic gyspy swing repertoire, other jazz standards, tunes from the post-Django gypsy tradition, and originals. This will be the group's second appearance at CSU Stanislaus, but the Sac State concert will be our Sacramento debut. Details and posters for the two concerts are below.

Thursday, February 20, 7:30pm
Snider Recital Hall, CSU Stanislaus, Turlock, CA (map)
Buy Tickets - $12/$8 students and seniors
With: Yan Yan Chan (piano), Jeannine Dennis (flute), and Hot Club Faux Gitane

Sunday, February 23, 6:00pm
Music Recital Hall, Sacramento State, Sacramento, CA (map)
Buy Tickets - $10 general/$7 seniors/$5 students
Live Stream
With: John Cozza (piano), Sandra McPherson (clarinet), Deborah Shidler (oboe), and Hot Club Faux Gitane

Spring 2014 Poster - StanislausSpring 2014 Poster - Sac State

Posters for CSU Stanislaus (left) and Sacramento State (right). Click for larger versions.

CSU Stanislaus Recital Poster and Streaming

Many thanks to Kristi­na Stam­per at the CSU Stanis­laus School of the Arts for cre­at­ing this won­der­ful poster for my upcom­ing recital. You can watch the con­cert live (Feb. 21, 7:30pm Paci­fic) on the web right here.

Down­load the full con­cert pro­gram.

CSU Stanislaus Recital Poster

Recital — California State University, Stanislaus

CSU Stanislaus

Two weeks from today, I’ll be giv­ing my first fac­ul­ty recital at Cal­i­for­nia State Uni­ver­si­ty, Stanis­laus. I joined the fac­ul­ty there last fall, and this will be my first offi­cial per­for­mance at the school. Two of my col­leagues there, Jean­nine Den­nis and Daniel Davies, will per­form with me, along with friends/colleagues from Sacra­men­to State and Uni­ver­si­ty of the Paci­fic. The pro­gram is a bit of an odd one. There’s not a par­tic­u­lar the­me — it’s sim­ply a col­lec­tion of pieces I want­ed to play and peo­ple with whom I want­ed to col­lab­o­rate. Four of the pieces are 20th or 21st cen­tu­ry duos, three of which are by liv­ing com­posers. This pre­pon­der­ance of new­ness is off­set a bit by one of my favorite Vivaldi con­cer­ti.

The details:

Thurs­day, Feb­ru­ary 21, 7:30pm
Snider Recital Hall, CSU Stanis­laus, Tur­lock, CA (map)
$12 gen­er­al admis­sion; $8 students/seniors/faculty (buy tick­ets)

Stephen Blum­bergDesert Rains for clar­inet and bas­soon
Pier­re Max Dubois — Petite Suite for flute and bas­soon
Bruce ReiprichWhen the Pines Sleep it is Autumn for two bas­soons
Anto­nio Vivaldi — Con­cer­to in G Minor, RV 495
Ger­not Wolf­gangCom­mon Ground for cel­lo and bas­soon

With:
Daniel Davies, cel­lo
Jean­nine Den­nis, flute
Nico­lasa Kuster, bas­soon
San­dra McPher­son, clar­inet
Faythe Voll­rath, harp­si­chord

Spring Events at Sacramento State

Sacramento State logo

Today begins an excit­ing semes­ter full of bas­soon events at Sacra­men­to State. Most events are free, and all are open to the pub­lic. We’ve got stu­dent per­for­mances, guest artists, a mas­ter­class or two, and I’m play­ing both a baro­que con­cer­to and two pro­grams of new and recent music. See the Music Depart­ment Cal­en­dar for park­ing and tick­et infor­ma­tion and oth­er details.

Tay­lor Haug­land with John Coz­za, piano
Junior Recital
Thurs­day, Feb­ru­ary 28, 4pm (Capis­tra­no Hall Room 151, free)

Junior Performace/Music Edu­ca­tion major Tay­lor Haug­land will per­form works by Camille Saint-Saëns, Carl Maria von Weber, Jean Daniel Braun, and Carl Nielsen.

Brett Van Gans­beke, baro­que bas­soon
Guest Artist Recital and Mas­ter­class
Thurs­day, March 14, 4pm (Capis­tra­no Hall Room 151, free)

Brett Van Gans­beke holds the Doc­tor of Music degree from Indi­ana University’s Jacobs School of Music, where he stud­ied with one of the world’s pre­em­i­nent Baro­que bas­soon­ists, Michael McCraw. Dr. Van Gans­beke will per­form a short recital of works by Baro­que com­posers, and then work with Sac State bas­soon­ists in a mas­ter­class for­mat.

Scott Pool, bas­soon and Steven Caplan, oboe with Nat­suki Fuku­sawa, piano and Robin Fish­er, sopra­no
Guest Artist Recital
Tues­day, April 2, 7:30pm (Capis­tra­no Music Recital Hall, $10 gen­er­al, $7 senior, $5 stu­dent)

Guests Scott Pool (Assis­tant Pro­fes­sor of Bas­soon, Uni­ver­si­ty of Tex­as at Arling­ton) and Stephen Caplan (Pro­fes­sor of Oboe, Uni­ver­si­ty of Nevada Las Veg­as) are joined by pianist Nat­suki Fuku­sawa and sopra­no Robin Fish­er in a recital of works by Rach­mani­nov, Sun­ny Knable, Jen­ni Bran­don, Miguel del Aguila, and oth­ers.

TuBas­soon (Julian Dixon, tuba and David A. Wells, bas­soon)
U-Nite at the Crock­er Art Muse­um
Thurs­day, April 11, 5–9pm (216 O Street, Sacra­men­to, CA, free with muse­um admis­sion or Sac State ID)

This low-down duo will per­form numer­ous short works as part of an evening of music, dance, the­ater, pho­tog­ra­phy, design, art, film, and poet­ry at the Crock­er Art Muse­um.

Ohne Name (Dana Jessen and David A. Wells, bas­soons)
Faculty/Guest Artist Recital
Thurs­day, April 25, 4pm (Capis­tra­no Hall Room 151, free)

Ohne Name per­forms 20th and 21st cen­tu­ry reper­toire writ­ten or adapt­ed for two bas­soons. This con­cert will include works by Igor Stravin­sky, Sofia Gubaiduli­na, Marc Mel­lits, and William Davis.

Sac State Bas­soon Stu­dio Recital with John Coz­za, piano
Tues­day, May 7, 8pm (Capis­tra­no Music Recital Hall, free)

Fea­tur­ing indi­vid­u­al per­for­mances by the mem­bers of the bas­soon stu­dio plus the antics of the Sac State Bas­soon Quar­tet.

David A. Wells with Cam­er­ata Capis­tra­no, under the direc­tion of Lor­na Peters
Vivaldi’s Bas­soon Con­cer­to in G Minor, RV 495
Sun­day, May 12, 4pm (Capis­tra­no Hall Room 151, $10 gen­er­al, $7 senior, $5 stu­dent)

Anto­nio Vivaldi wrote a stag­ger­ing 39 con­cer­tos for bas­soon, of which 37 exist in com­plete form. The Con­cer­to in G minor (RV 495) is one of the most intense of the­se, and dis­plays the composer’s mas­ter­ful grasp of both the tech­ni­cal vir­tu­os­i­ty and emo­tion­al depth attain­able on the bas­soon. Oth­er works TBA.

Recital — Festival of New American Music

2012 FeNAM Poster

2012 FeNAM Poster (larg­er image/pdf)

On Fri­day, Novem­ber 9, I’ll be giv­ing a recital as part of Sacra­men­to State’s 35th annu­al Fes­ti­val of New Amer­i­can Music. The fes­ti­val itself runs from Novem­ber 1 until Novem­ber 10 and includes numer­ous con­certs, mas­ter class­es, composer’s forums, and per­for­mances in local schools. Augus­ta Read Thomas is this year’s keynote speak­er, and oth­er guests include Third Coast Per­cus­sion, City­wa­ter, Cal­liope Duo, JACK Quar­tet, Trav­is Brass, Allen Viz­zu­ti, and Root­stock Per­cus­sion. And amaz­ing­ly, all the events are free and open to the pub­lic. See the poster at right for the full sched­ule.

The idea for this con­cert came to me last year. While plan­ning for my April recital, I real­ized that I had a whole stack of recent music by Amer­i­can com­posers that I want­ed to per­form. So, I set much of that aside for this fall. In its now final form my pro­gram con­sists of five pieces, which I think do a good job of demon­strat­ing the wide vari­ety of music that has recent­ly been writ­ten for bas­soon. Four of the five pieces were writ­ten in the last five years; the “old stan­dard” of the pro­gram is André Previn’s Sonata, pub­lished way back in 1999. I’m excit­ed to be play­ing works by three com­posers who I know per­son­al­ly, and to be giv­ing the pre­miere of a work by one of them, my Sac State col­league Stephen Blum­berg. My recital (and many of the oth­er FeNAM con­certs) will be broad­cast live via the school’s Livestream Chan­nel.

The details:

Fes­ti­val Ensem­ble: David A. Wells, bas­soon and friends
FeNAM 2012
Fri­day, Novem­ber 9, 8pm
Capis­tra­no Hall, Sacra­men­to State (map)

Stephen Blum­bergDesert Rains for clar­inet and bas­soon (World Pre­miere)
David DiesKai-‘r/xhqt(i)s (West Coast Pre­miere)
André PrevinSonata for Bas­soon and Piano
Erik Span­glera fire­fly in the bel­ly for bas­soon and elec­tron­ics (West Coast Pre­miere)
Ger­not Wolf­gangLow Agen­da

With:
John Coz­za, piano
Thomas Derthick, bass
San­dra Moats McPher­son, clar­inet