TuBassoon at U‑Nite

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TuBassoon at U-Nite

TuBas­soon with mod­ern dancers dur­ing a U‑Nite pro­mo shoot for Good Day Sacra­men­to. (Craig Koscho, Sac State Pub­lic Affairs)

On the evening of April 11th, I per­formed as part of the sec­ond annu­al U‑Nite, a mini-fes­ti­val of the arts at Sacra­men­to’s Crock­er Art Muse­um. The event fea­tured fac­ul­ty and stu­dents from the var­i­ous parts of Sacra­men­to State’s Col­lege of Arts and Let­ters. Per­form­ers and exhibitors were sta­tioned around the muse­um, pre­sent­ing short pro­grams of music, dance, film, the­ater, visu­al arts, and the writ­ten word. My col­league Julian Dixon and I played in one of the gal­leries as the duo TuBassoon.

Sur­round­ed by gor­geous Cal­i­for­nia land­scape paint­ings, we played 25–30 min­utes of music drawn from numer­ous sources. We had pre­vi­ous­ly played P.D.Q. Bach’s “Dutch” Suite for bas­soon and tuba, so that was an easy choice. Although there are at least a cou­ple of oth­er works writ­ten specif­i­cal­ly for bas­soon and tuba, we end­ed up adapt­ing the rest of our reper­toire from oth­er sources. We played the first move­ment of Mozart’s gor­geous Sonata, K. 292 (for bas­soon and cel­lo), one move­ment of a Tele­mann canon­ic sonata, and a suite of short tuba duets by Wal­ter Sear.

The morn­ing of U‑Nite, Julian and I were part of a live seg­ment on the morn­ing show Good Day Sacra­men­to. We’re play­ing P.D.Q. Bach’s “Pan­ther Dance” in the back­ground while reporter Court­ney Dempsey inter­views U‑Nite’s organizers:

Inci­den­tal­ly, if TuBas­soon con­tin­ues, we might just have to make Court­ney’s descrip­tion our mot­to. Tubas­soon: A lil’ tuba, a lil’ bassoon.

After our evening per­for­mance, I was able to catch City­wa­ter’s per­for­mance of a new piece by Stephen Blum­berg, which was great. But unfor­tu­nate­ly, between grab­bing a bite to eat from the muse­um café, get­ting set up, and talk­ing to audi­ence mem­bers after our per­for­mance, that was all I was able to take in. But this video col­lage from Sac State’s Office of Pub­lic Affairs pro­vides an excel­lent overview of what I missed, and shows off the excel­lent range and diver­si­ty of the event:

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